After inventing his gallery in Taipei in 2014, Nude Hunger was ready for a decade – and started doing the prominence of the New York. By 2023, he brought a second gallery space, a 3000-foot space in 381 Broome Street, making history like the first Taiwan gallery to establish the existence of the city. From the beginning, his aim is to introduce the world modern art and to prevent cultural breakings between Taipei and New York.
“When I first opened the Gallery in Taipei, I was inspired by the gap in the Articop of Articles Her recent exhibition, depicting a series of material songs of Ethereal – a stable “sharp” series, as described in Kansas City Artist Jill Down.
“When the philosophy is unchanged, our strategy in New York has been expanded to operate the provisions, working with artists and the lawsuits of the law. This will allow us to deepen the context between the current arts,” Hung said.
Nevertheless, in taking the work of promoting the universe, the exchange between these unique cultural areas, included a series of challenges. He says: “Customs difference between the artist backgrounds and the US audience are the main challenge,” he said. “Usually, artwork treats cultural referenceences that may require another explanation or context of viewing the customer’s culture.”
Over the years, Hunnel has developed an amazingly different program and a global level. For more than a decade, his gallery represents only Asian artists but also the primary American maths, Reas Poudland, Ishmael Randll-Randll-Randll-Bimmeranni – each had their first shaller exhibition at the taipei gallery. “Our setting for the contribution is easy to move around the challenge,” reinforced notes.
At the same time, ASIA’s Asian Advertisements in New York has been very good. There is a growing interest in their work, according to Hung, who launched American audience in Asia singers like Shina, Jiang-Zeing Khong, Jasé John Santos III.
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“Working as a bridge between Asia and Provinces, we were able to open new conversations and can be able to meet. our mission is today. “
In current Geopolitical weather, those machines feel more relevant than ever. At that time, over the past few decades, Taiwan has established a rapid incident of art. The main financial institution, the island boasts the thriving culture, the increasing number of shows, institutions and artists receiving foreign recognition. “The art market in Taiwan has been firm, especially because of the long-term cultural collection culture. But the state of Modern Asian arts have exchanged further overall worldwide. “It is a pleasure to be a pioneer of the organization, especially by being among the first shows to present the modern-day Taiwan artists.”
Hung believes that the most important time of Taiwan’s craftsman, especially with the increase in small young groups renovating the strong incident, begin to remember the program. “The Taiwan Curatorial Landscape is becoming more independent of their independence, worldwide and visible, which is good for the future.”
Significantly, Hung is most emphasis on the publication of promoting the districts of the transults of artistic transit, ideas and ideas. “I used to believe in writing. As a child, I thought of a writer as a writer, whether my child’s interest. As my virtual brain grew, I began to learn everything I could,” recalls. “While art has its own voice, good writing deepes our understanding, increases your chances and explanations.”
For this reason, since he opened his gallery in Taipei, he was hanged in creating a gallaric newspaper – a comments that was a monthly printing year. “The printed word contains general media can not repetition. However, I remember the environment, so when printing something, it is why we invested more time and energy Nun paperAnd after ten years, it is still getting stronger. “
More than Nun paperHUNG also invested in production of research lists, seeking new ways to better travel the work of artists. “Our first letter to Rodney Dickson is not just a regular catalog;
In the meantime, promote the emerging talent and support the center of Hung’s vision. When we pursue this, you just turned the lower floor gallery into a given place for new artists. The project of the New York project aims to provide a career singers and other countries who have not previously shown in the US, and established artists who want to examine new mediums and ideas. “This allows this to safeguard a solid system while encouraging artists to assess. In both New York and Taipei, our main gallery gives us the freedom to oppress the boundaries.”
Looking forward, the gallery system is 2025, “the words of Asia,” you will see Asian diapora for 2026. It will introduce the creative installation by Creative Duchemboulion, which placement of the Religious Submission to the printing of the bronze plates printed.
The highest points in the project area, as the Language is presented by the View, applies the fun of Guiwan Hon Honnan Honnan’s public Honon Honnan’s public administrative community in the Taiwan community during the epidemic. In April, Immian HSU will introduce a new family history body and the Hybridity’s new history bodies, while June, India singer Purvai Rai will fix memories and work. Expanding the worldwide, the project room will handle the work of the Syed Hussain function in October, referring to the information and release of the Hazara communities in Afghanistan and Pakistan. During year, the Ning Fu will introduce a series of books to criticize the impact of digital’s digital ownership ownership.
At that time, in the main space, the Spring Galare program will be opened in Solo Show by Cianne Fracione, as Hung Important Understanding of His Works and Savings From the past few years. “In May, follows the show of Trumpe-Loil Pailings of Trampi-L’IIL. A Seven Seven Show in July will see the Native Archers from the US and Taiwan, which has workers made by En-Man Chang, Laying, Laying, Luhuakea and Roin Morigeau. Continuous focus on traditional recounts, time of falling will open in Sololo’s exhibition by Caroline Montet, examining indigenous identities and traditional life through industrial purposes. The Galari’s Galari program will conclude about José John Santos III’s exhibition, their conclusive priority of the importance of material things, expressing their accounts and challenging ideas.
Significantly, the fee payable under Trump’s commercial policies set in the Scripture to consult with Asia and the US hanging hung and worked hard to cultivate. “Currently, it is difficult to say how these people will affect the exchange between US and Asia. . “Any day this may change, and we will be ready for that.
Despite this uncertainty, the hanging is still increasing that art and cultural conversation between the US and Asia will live. “I hope that it will continue, because there is a strong psychological network that passes,” he said. “Like the overseas gallery in Taipei and New York, we are fortunate to have the opportunity to close these places meaningful ways,” adds. “Moving, we will continue to create our double-local benefit and remember the changing place of other countries for art flowing, ideas and talent during these two districts.”
Looking forward, HANS hope. “I approach the future in the sense of being open and proud. creating. There is always a place for new ideas and unexpected opportunities. “
